Who wrote a picture of the rest of the day of Pompeii. Mysteries of "The Rest of the Day of Pompeii": Which of the contemporary Karl Bryullov depicted in the picture of Chotiri Razi. “In Russia, there was only one painter, who was widely popular, Bryullov” - Herzen A.I. about the art

The Russian artist Karl Bryullov, without a doubt, deserved credit for his craftsmanship long before the creation of his masterpiece. Prote itself "The Remaining Day of Pompeii" brought Bryullov all-worldly glory. Why did the picture-catastrophe bleed into the public, and how taєmnitsі won't come from looking dosі?

Why Pompeii herself?

As a result of the eruption of the Vesuvius volcano, the places of Pompeii, Herculaneum, the Stabi and the impersonal ancient villages became graves for thousands of thousands of inhabitants of the city. The right archeological excavations of mysteries, which have sunk into oblivion, started only in 1748, that is 51 years before the birth of Karl Bryullov himself. I realized that archaeologists worked not for one day, but for ten years. The zavdyaks of this environment, the artist had a special chance to visit the excavations and wander along the old Roman streets, already ringing in the sight of the lava. Moreover, at that time, Pompeii herself appeared to be the most cleared.

At the same time, Countess Yuliya Samoylova walked there from Bryullov, until Karl Pavlovich felt warm. Later on, she plays a great role in the creation of the masterpiece of kohanets, and more than one. Bryullov and Samoylova Mali I can make the life of an old place, restore objects, relics dead people. Everything left a deep impression on the subtle nature of the artist. Bulo tse in 1827 roci.

Character identities

Bryullov's battles practically immediately took up the work, moreover, more seriously and primly. Vіn vіdvіduvav vіdvіduv vіdvіvіv іn vicinities of Vesuvіu more than once, roblyachy handwriting for the future canvas. In addition, the artist became familiar with the manuscripts that have been used to this day, including the sheets of eyewitnesses of the catastrophe, the ancient Roman politician and writer Pliny the Younger, who, as an uncle, Pliny the Elder, died during the collapse. Well, such a robot spent a lot of time. For this, preparation before writing a masterpiece took Bryullov over 5 years. The canvas itself, with an area of over 30 square meters, having created less than the lower for the river. In the midst of an ailment, the mitets were not able to walk for an hour, they literally blamed him for the mains. Ale navit and with such a retelling preparation and important work on the masterpiece of Bryullov, gradually changing the cob conceived by this world. For example, without becoming a vicorist of the little ones, on which you painted a villain, knowing how to decorate a woman that she fell.

Single individuals

One of the main mysteries that can be shown on the canvas is the presence in the picture of a number of the same female characters. The girl with gleck on her head, the woman who lies on the ground with a child, and also mothers, like hugging her daughters, that person with a man and children. How did Bryullov paint their floorings similar? To the right, that lady herself, that Countess Samoilova, served as a kind for all these characters. Irrespective of those other people in the picture, the artist painted on the most famous inhabitants of Italy, perhaps, Samoilov Bryullov, stunned by singing feelings, should just write.

Moreover, in NATO, depicted on the canvas, one can know the artist himself. Vin having pictured himself Tim, Kim Vin and Bov, an artist from a box, filled with painting accessories, on his head. This method, like a kind of autograph, was won by a lot of Italian masters. And Bryullov was richly born in the provinces of Italy and there he himself learned the art of painting.

Christian and pagan

Among the characters of the masterpiece there is a present and a lover of the Christian faith, which is easy to recognize with a cross on the chest. To the new embossing mother with two bottoms, nіbi shukaє at the old zakhistu. Prote painted Bryullov and the pagan priest, like a streamer, not calling on the swaying townspeople. Inevitably, Christianity at that hour was conscious of persecution and it was unbelievable that it was possible for someone to get out of the sickness of the world in Pompeii. Ale Bryullov, trying to get the documentary credibility of the hypotheses, brought in his own tvir and prihovaniya zmist. With the help of the higher-appointed clergymen, showing them like a cataclysm itself, in addition to the rise of the old and the people of the new.

Why Pompeii herself?

At the same time, Countess Yuliya Samoylova walked there from Bryullov, until Karl Pavlovich felt warm. Later on, she plays a great role in the creation of the masterpiece of kohanets, and more than one. Bryullov and Samoilov were small, I could resurrect the houses of an ancient place, restore objects, and the remains of dead people. Everything left a deep impression on the subtle nature of the artist. Bulo tse in 1827 roci.

Character identities

Single individuals

Christian and pagan

K. P. Bryullov
Remaining day of Pompeii. 1830-1833
Canvas, oliya. 465.5 × 651 cm
Sovereign Russian Museum, St. Petersburg

The Remaining Day of Pompeii - a painting by Karl Pavlovich Bryullov, written in 1830-1833. The painting had little success in Italy, was awarded a gold medal in Paris, and in 1834 was delivered to St. Petersburg.

Previously, Karl Bryullov saw Naples and Vesuvius near limestone in 1827, on the fourth rotation of his transfer to Italy. A specific method is not more expensive, but the reasons for the growth of qiu were more expensive. In 1824, Pompeii's brother saw the painter Oleksandr Bryullov and, unconcerned about the strimanity of his nature, hoarsely spoke about his hostility. Another reason was the speck of the summer months and may be the last of the concurrent lihomania in Rome. The third reason was friendship, which not long ago streaked with Princess Yuliya Samoilova, as she went to Naples.

Bryullov was blinded by the sight of a bent place. Vіn tasting at new chotiri days, more than once rounded all the nooks and crannies. “Through that summer before Naples, neither Bryullov himself, nor his companion did not see that it would be hateful to bring the artist to the highest peak of his creativity — the creation of the monumental historical canvas “The Last Day of Pompeii”,” writes mystical explorer Galina Leontyeva.

In 1828, on the eve of the attack on Pompeii, Bryullov created a lot of drawings for a future picture about the view of the eruption of Mount Vesuvius in 79th century AD. e. that ruination of that place. The canvas was exhibited in Rome, where it took away the opinions of critics, and was transferred to the Louvre in Paris. Tsya robot became the artist's first painting, as she called out such an interest behind the cordon. Walter Scott called the picture "invisible, epic".

Classical theme, zavdyaki Bryullov's artistic tower and bright gray of light, weaved into the work, like a sprat of krokiv forward, out of the neoclassical style. "The Remaining Day of Pompeii" prominently characterizes classicism in Russian painting, which follows idealism, advancing interest to the open air and biased love of that hour to similar historical plots. The image of the artist at the left corner of the painting is a self-portrait of the author.

(Detail)

The canvas also depicts Countess Yulia Pavlivna Samoilova - a woman with a gleam on her head, who stands on the bottom in the left part of the canvas; the woman, who was beaten to death, is thrown on the brukivtsі, and the child is alive next to her (both, imovirno, jumped from the chariots, she was angry) - at the center of the canvas; and mother, like a donok, at the left corner of the picture.

(Detail)

(Detail)

(Detail)

(Detail)

(Detail)

At 1834 p. the painting "The Last Day of Pompeii" was sent to St. Petersburg. Oleksandr Ivanovich Turgenev, saying that this picture made the glory of Russia and Italy. Є. A. Baratinsky wrote a well-known aphorism: “The rest of the day of Pompeii has become the first day for the Russian penzla!”. And O. Z. Pushkin, in turn, said: “Idols fall! People, persecuted by fear ... ”(censorship harrowed the row). In Russia, Bryullov's canvas was accepted not as a compromising, but as an entirely innovative creation.

Anatoly Demidov, having presented a picture of Mykola I, having put it in the Academy of Arts as a ceramics for artists-pochatkivtsiv. After the admission to the Russian Museum in 1895, the canvas moved there, and until now it had been denied access to the general public.

"In Russia, there was more than one painter, who was famous for his wide popularity, Bryullov" - Herzen A.I. about mysticism.

In the first century of our era, a series of eruptions of the Vesuvius volcano occurred, as if they were accompanied by an earthquake. The stench blew up spits of fluffy places, as if they were planted near the bottom of the mountain. The place of Pompeii was gone in two days - at the serpnі month of 79 the fate of the wine was full of volcanic ashes. Vіn appeared pohovanim under the seven-meter comrade sang. It seemed that the place appeared from the face of the earth. Prote, in 1748. archaeologists were able to dig it out, revealing the veil of the stingy tragedy. The painting of the Russian artist Karl Bryullov is dedicated to the rest of the day of the ancient city.

"The Remaining Day of Pompeii" - found the painting by Karl Bryullov. A masterpiece created for a long time six years - I’ll think about it from the first sketch to the full canvas. Zhodin the Russian artist did not have such a success in Europe, like the young 34-year-old Bryullov, behind which the symbolic prize “Great Karl” was firmly creaked, which indicated the scale of this six-fold richly suffering child - the size of the canvas reached 30 square meters. (!). It is noteworthy that the canvas itself was painted in less than 11 months, it took me an hour to prepare the work.

"Italian wound", 1823; Kunsthalle, Kiel, Nimechchina

In the success of a promising and talented artist, zahіdnі colleagues from the craft lied to force. Zarozumili іtalіytsі, majestic іtalіyskiy painting over the mustache of light, vowed to the young and promising Russian painter who was not bigger, more big and bigger. I don’t care about those that Bryullov’s paintings to the singing world were already going back to Pompeii. So, for example, the famous canvas “Italian wound”, written by Bryullov after his arrival before Italy in 1823. The picture brought popularity to Bryullov, having received reviews from the Italian public, then as members of the Association of Interested Artists. OPH presented the painting “Italian wound” by Oleksandriya Fedorivna, Mikoli I’s squad.

The girl picks grapes on the outskirts of Naples. 1827; Sovereign Russian Museum, St. Petersburg

And the painting “Girl picking grapes on the outskirts of Naples” (1827), reflects the life-loving and cheerful character of Italian girls among the people. And a copy of the fresco by Raphael - "The School of Athens" (1824-1828) - was adorned with ninja won the hall of copies at the life of the St. Petersburg Academy of Mystics. Bryullov is an independent and famous in Italy and in Europe, he has a rich promise - why not leather, whoever goes to Rome, strives to bring a star portrait of Bryullov's work ...

And all the same, the artist did not especially believe, but some people laughed at him. The old cavalier of Kamuchchin, who at that time was the first Italian painter, made special efforts. Looking at the sketches of Bryullov’s forthcoming masterpiece, he’s trying to make vysnovok, that “the theme of the majestic canvas, but on the majestic canvas, those who are in the sketches disappear; Carl think in small canvases. Little Russian write little little ones ... Colossal Tver on the shoulder of someone bigger! Bryullov, not showing off, just laughing - getting angry and angry at the old boulo would be absurd. Before that, the words of the Italian master spurred on the young and ambitious Russian genius for the first time and for the rest of Europe, and especially self-satisfied Italians.

With the power of your fanaticism, we continue to develop the plot of your main picture, yak, on your mind, without a doubt glorify your name.

There are at least two versions of how the idea of writing "Pompeii" was born. Unofficial version - Bryullov, playing in Rome the enchanting opera by Giovanni Pachina "The Remaining Day of Pompeii", having come home, throwing up a sketch of a future picture.

For a different version, the idea to recreate the plot of "death" came to the excavations of archaeologists, as they revealed a grave that was littered with volcanic ashes, stone stumps, and a lava place near 79 roci. Mayzha 18th century the place lay under the ashes of Vesuvius. And if they dug it up, before the gaze of the zdivovannyh italians, there were houses, statues, fountains, streets of Pompeii.

At the excavations, the elder brother of Karl Bryullov, Oleksandr, also took the fate of the ruins of the ancient city in 1824. For the storage of the project of restoration of "Pompeian baths", he took the title of architect Yogo Majesty, corresponding member of the French Institute, member of the Royal Institute of Architects in England and the title of member of the Academy of Mythology at Milan Petersburg.

Oleksandr Pavlovich Bryullov, self-portrait 1830

Before the speech, in the middle of the month of June 1828, if the artist had gone to Rome, Vesuvius rapt sighed more strongly for the splendid one, five days later, throwing a high stovp pelo and dim, dark-red streams of lava, splashing from the crater, flowed down the schila, bugs began to tremble at the booths of Naples, feeling dirty. Bits about the divergence of the wind flew to Rome, everyone, who had a moment, rushed to Naples - to marvel at the marvelous sight. Karl, not without zusil, got a place in the carriage, de, cream of the new, it was embossed with five passengers, and in a moment he felt lucky. Until then, the carriage traveled 240 km from Rome to Naples, Vesuvius stopped smoking and fell asleep ... This fact further embarrassed the artist, even if it became a sign of a similar catastrophe, pleasing the savagery of angry Vesuvius in the eyes of God.

Robot and triumph

Later, vyznachivsya іz plot, whimsical Bryullov began to select historical material. Taking into account the most authenticity of the image, Bryullov turned the materials of excavations and historical documents. Vіn kav, that all the speeches, he was depicted, taken from the museum, that the archeologists follow - “the lowest antiques”, that until the last smear of the wines about those who would be “closer to the rightness of the future”.

The remains of the people of Pompeii, our days.

Vіn i mіsce dії showing on the canvas exactly: “I took all the scenery from nature, not entering antrohi and not adding”; on that mіstsі, yak drank into the picture, at the hour of excavations, bracelets, rings, earrings, namist and charred leftovers of the chariot were found. Ale thought the picture of a rich thing and a rich glibsha, lower bazhannya to reconstruct the floor that was trapped for seventeen of a half hundred years. The shrines of the tomb of Skavr, the skeleton of the mother and daughters, who killed one another before their death, a wagon wheel, a stool, a vase, a lamp, a bracelet were burnt - everything was a measure of authenticity ...

So the canvas was completed, the Roman master Karl Bryullov recognized the right covers. “... I experienced wonderful moments while painting this picture! And now I'm running the venerable old man Kamucci, who is standing in front of her. A few days after that, as all of Rome stumbled to marvel at my picture, come before me to the workshop on Via San Claudio i, standing for a few minutes in front of the picture, hugging me and saying: Hug me, Kolos!

The picture was exhibited in Rome, then at Milan, and everywhere the Italians were buried in front of the "Great Charles".

The name of Karl Bryullov immediately became known in the entire Italian Pivostrov, from one o'clock to the next. When zustriches on the streets of the skin, I lifted drops in front of him; when you appeared in theaters, you got up; smashing the doors of the booth, de vin is alive, but the restaurants, de vin having offended, always picked a lot of people to wit yoga.

Italian newspapers and magazines glorified Karl Bryullov as a genius, equal to the greatest painters of all times, poets praised yoga at the top, whole treatises were written about his new painting. From the very epoch of the Renaissance, there was no artist in Italy who was the object of such an infamous worship, like Karl Bryullov.

Bryullov Karl Pavlovich, 1836 - Vasil Tropinin

The painting "The Remaining Day of Pompeii" made Europe aware of the mighty Russian penzle and Russian nature, like a building in the skin gallery of the art of reaching even unattainable heights.

Enthusiasm and patriotic pidyom, with such a picture was made in St. Petersburg, it is important to reveal: Russian painting brullov’s zavdyakov ceased to be a diligent student of the great Italians and created a tvir, like zahopiv Europe!

The painting was donated by the philanthropist Demidov Mykoli I, who had recently placed it at the Imperial Hermitage and donated it to the Academy of Mystics. Behind the tips of the co-worker, “natovp vіdvіduvаchіv, one can say, rushing into the halls of the Academy, to marvel at the “Pompeii””. They talked about masterpieces in salons, shared thoughts with private listings, made notes with schoolchildren. Possesne prizvisko "Charlemagne" established itself behind Bryullov.

Under the impression of Pushkin's painting, he wrote in six lines:

Vesuvius star vіdkriv - dim rinuv club - half moon
Spread wide, like a battle ensign.
The earth is lamenting - from the columns that hit.
Kumiri fall! People, persecuted by fear,
Under the stone plank, under the scorched ashes,
Natovpami, old and young, live out of the city.

Gogol dedicating a miraculously profound article to "The Rest of Pompeii's Day", and Yevgen Baratinsky sings, expressing the extemporaneous joy of the spectator:

“Bring you peaceful trophies
With myself in the father's cover,
І becoming "The Remaining Day of Pompeii"
For the Russian penzl the first day!

Facts, secrets and mysteries of the painting “The Remaining Day of Pompeii”

Place of the picture

Vidkrittya Pompeii was born in 1748. At the very same time, month after month, excavations, which were carried out without interruption, opened up the place. Pompeii left an unforgettable trace in the soul of Karl Bryullov even at the first place he was appointed to in 1827.

“Looking at these ruins, I was suddenly tempted to be transported to that hour, if these walls were more populated ... You can’t go through these ruins without seeing in yourself an absolutely new feeling, that you’ll forget everything, the cream of a stingy bottom with this mist.”

“I took all the scenery from nature, without stepping in antrochs and not giving up, standing up to the mіs'kih vorіt with my back, sobchit a part of Vesuvius as the main reason,” Bryullov said in one of the leaves.

"Tomb Street" Pompeii

Walking about the Herculanean Gates of Pompeii (Porto di Ercolano), behind which, already behind the borders of the place, began the "Tomb Street" (Via dei Sepolcri) - a cvintar with sacred tombs and temples. Tsya part of Pompeii bula in 1820s. already well cleared, which allowed painting with maximum accuracy to reconstruct architecture on canvas.

And the axis is the same place, as it was exactly set with the picture of Karl Bryullov.

a photo

Painting details

Seeing the picture of the upheaval, Bryullov heard the famous messenger of Pliny the Younger before Tacitus.

Junius Pliny survived the eruption in the seaport of Miseno on the pіvnіch vіd Pompeii and reportedly described the boom: budinki, yakі, were building, destroyed their place, half-day, which spread widely over the cone of the volcano, hot pieces of pumice, which were falling from the sky, falling from the sky sing, black impenetrable, flaming zigzags, similar to gigantic sparkles ... And all Bryullov transferred to the canvas.

Seismologists are opposed to the fact that they have depicted the faults of the earth coward with some kind of conflict: marveling at the houses that are collapsing, you can directly indicate the strength of the underground post (8 points). Volcanologists say that the fall of Vesuvius was written with the best possible accuracy at that time. Historians affirm that behind the picture of Bryullov one can cultivate ancient Roman culture.

A way to restore the dying postures of the dead, pouring in empty gypsum, which were found in the body, but only in 1870, but only in 1870, ale and at the hour of the creation of the picture, the skeletons revealed in the stone ashes witnessed the remains of the judgment and the gestures of the victims.

Mother, yak hugged two daughters; a young woman, as if she was beaten to death at the hour of the fall from the chariot, she ran into a stone, swerving with an earthworm from the brukivki; people on the slabs of the tomb of Skavr, as if they were protecting their heads from the rockfall with stools and utensils - all the same, not a fantasy of painting, but an artistic creation of reality.

Self-portrait at the painting

There are many characters on the canvases, endowed with portrait drawings of the author himself, Countess Julia Samoylova. Bryullov portrayed himself as an artist, who carried on his head a box with penzles and farbs.

Self-portrait, as well as a girl from a vessel on her head - Julia

The beautiful figures of Yuliya are recognized in the picture of chotiri: mother, like hugging her daughters, a woman, like pressing a baby to her breasts, a girl with a vessel on her head, a noble pompian, who fell from a broken chariot.

A self-portrait and a portrait of a girlfriend - an impression of the "effect of presence", a roblox looking like a participant in what is being seen.

"Just a Picture"

There is such a fact that among the students of Karl Bryullov, his canvas “The Rest of the Day of Pompeii” is not enough to finish with a simple name - just “Picture”. Tse means that for all scholars the canvas was just a picture of great letters, a picture of pictures. You can point the butt: as the Bible is the book of all books, the word Bible means the word Book.

Walter Scott: "Tse - epic!"

Appearing in Rome, Walter Scott, the glory of such a boulder is so majestic, that in the hour of wine it was built with a mythical essence. The novelist buv is high on the rise, folded maw mіtsne. His little red-cheeked appearance of a peasant with sparse light hair combed on his forehead was given to his health, and everyone knew that Sir Walter Scott was not prepared in the face of an apoplectic stroke and came to Italy for the breed of doctors. A man of great faith, vin rozumiv, that the days are cherished, and spent an hour only on those who are especially important in respect. Asking Rome to take Yogo to one old castle, which Youma needed, to Thorvaldsen and Bryullov. Walter Scott, having sat in front of the picture for a while, may be unruly, long movcha, and Bryullov, no longer able to hear his voice, taking a penzel, so as not to waste time, and standing here to scratch the canvas. Nareshti Walter Scott moved forward, crouching on his right leg, walking to Bryullov, having touched his offending hands in his majestic palm and squeezing them forcefully.

I've cleared the bacchi historical novel. Alevie did a lot more. Tse - epic ...

Bible story

In various manifestations of classical art, tragic scenes were often depicted. For example, the destruction of Sodom by the Egyptian strata. Ale, in such biblical stories, there is little in the world, when the strata go burn, here you can help yourself by showing God's providence. Yak yakscho b biblical history I would have known not stupid rock, but only God's wrath. In the paintings of Karl Bryullov, people were playing with the power of the blind natural element, fate. There can’t be everyday mirkuvan about wine, that punishment. In the picture, you will not be able to know the main character. Yogo is just not there. Before us, there is less than NATO, people, like a bov of fear.

Sprynyatya Pompeii itself like a vicious one, which is mired in the sins of the place, and this ruination, like a Divine curry, could be grounded on some kind of signs that appeared as a result of excavations - tse erotic frescoes at old Roman budinkas, the same analogous sculptures, fake amulets, pidviski thinly. The publication of these artefacts from the Antichita di Ercolano, published by the Italian Academy and seen in other countries between 1771 and 1780, called out the reaction of cultural shock - to the aphids of Winckelmann's postulate about the "gentry simplicity and the spicy-anthropist". The axis of which the public on the ear of the XIX century could associate the destruction of Vesuvius with the biblical punishment that fell on the wicked places of Sodom and Gomorrah.

Exactly rozrahunki

Mount Vesuvius

Thinking of writing a great canvas, K. Bryullov chose one of the most important ways of yoga compositional inspiration, And itself - light-tiny and expanses. Tse vimagalo the artist's view of exactly razrahuvat the effect of the picture on the screen, and mathematically accurately indicate the fall of light. And in order to create an enmity to the deep expanse, you happened to turn the most serious respect for a better perspective.

Burning and in the distance of Vesuvius, from the top of which the rivers of fire lava rise along all lines. The light in them is so strong that the closest ones to the volcano would be already burning. One French newspaper blabbed about the purplish effect that the artist wanted to achieve, and pointed out: ale pan Bryullov znekhtuvav zim apart. Genius navіv yoma smiled at the thought, so happy, like it’s not repeated: visvelit the entire front part of the picture with a swishy, whimpering and bluvaty glint of bliss, which rose thickly in a thick gloom, which made the place feel better, at that hour, like light, I break through the force. in the background red pivtin".

On the border of possibilities

Vin writing on such an inter-spiritual tension that it was literally dragged out of the mains on their hands. However, to get healthy, who have been kidnapped, do not take yoga work.

Youngsters

Youngsters

According to the ancient Roman tradition, the heads of the names were decorated with wines from the flowers. From the head of the maiden, falling into the flammey - the traditional cover of the old Roman name of thin yellow-yellow-hot fabric.

Fall to Rome

At the center of the picture, a young woman lies on the brook, and uncommonly rozsipalis on the stones of її koshtovnosti. Instructed her to cry in fear little kid. beautiful garna zhіnka, the classic beauty of draperies and gold is supposed to symbolize the thinned culture of Ancient Rome, which we have before our eyes. The artist speaks not only as an artist, master of composition and color, but as a philosopher, who, in visible images, recounts the death of a great culture.

Woman with bottoms

Behind Bryullov's words, one woman and two children are buffaloes, sizzling in their poses with volcanic ashes, and wines at the excavations. Mother with two donkeys could associate with the artist with Yuliya Samoilova, as, not wanting her children, she took two girls, relatives of friends, to be married. Before the speech, the father of the young of them, the composer Giovanni Pachin, in 1825, having written the opera The Remaining Day of Pompeii, and the fashionable production became for Bryullov one of the most inspirational.

Christian priest

In the first century of Christianity in Pompeii, a servant of the new faith appeared in a moment, in the picture it is easy to recognize him with a cross, for divine services - with a censer and a chalice - and a scroll with a sacred text. The wearing of natіlnyh and pectoral crosses in the 1st century has not been confirmed archeologically. The amazing trick of the artist - the husband of a Christian priest, who does not know the sumnіvіv and fear of opposition to the pagan priest, who is ticking in fear, in the depths of the canvas.

Priest

The status of the character is indicated by the objects of the cult of yoga in the hands and headband - infula. The co-workers tormented Bryullov, that they did not live in the first plan for the defense of Christianity to paganism, but the artist did not have such a mark.

Against the canons

Bryullov, having written to Mayzha, everything is wrong, as it should have been. Kozhen the great mitets break the rules. At that hour, the creations of the old masters were trying to create, as if they were able to show the ideal beauty of the people. It is called "CLASICISM". For this reason, Bryullov has no chance of doing wrong, embossing or swindling. The new one's name is not so natovp, like on the street. There is nothing visceral here, and the heroes are so subdivided into groups that you can look at the skin. I axis scho cicavo - individuals in the picture are similar, and poses are different. A smut for Bryullov, like for ancient sculptors, - to convey to the people a little with their hands. The whole art is called "PLASTIC". Bryullov does not want to pretend to be people, their bodies are neither wounds nor delirium. Such a trick in the art is called “INTELLIGENCE”: the artist is inspired by the splendid verisimilitude in the name of the high mark: the human being is the most beautiful creation of the earth.

Pushkin and Bryullov

A great success in the life of the artist was yoga zustrich and friendship with Pushkin. The stench immediately fell in love and fell in love with one alone. At the leaf to the squad, on May 4, 1836, rock sings:

“... I really want to bring Bryullov to Petersburg. And you are a good artist, good lad, and get ready for anything. Here Perovsky yoga filled, transported to himself, locking the key and zmusiv pratsyuvati. Bryullov forcibly saw a new vtik.

“Bryullov immediately saw me. Where the heart creaks to Petersburg, fear the climate and captivity. I try yoga vtіshiti ta pіdbadjoriti; and this time, at my very soul, five minutes away, I’ll guess that I’m a journalist.

Not a month has passed since the day when Pushkin sent leaves about Bryullov's journey to St. Petersburg, as at the time of the arrival of the Academy of Mystics on 11 Cherry 1836, fate was given an insult to the honor of the famous artist. Possibly, not a varto, it was especially important to designate this not a miraculous date, 11 chervnya! Ale rich for the one who, with a wondrous zbіgo, surrounded himself with 11 worms, after fourteen years, Bryullov came, in fact, to die before Rome ... Ill, aged.

Urochistist of Russia

Karl Pavlovich Bryullov. Artist Zav'yalov F.S.

At the Louvre exhibition of 1834, de bulo, “The Last Day of Pompeii” was shown, and the canvases of Ingres and Delacroix were hung from the painting by Bryullov, adorning “glorious ancient beauty”. Critics barked Bryullov in unison. For some, the picture was delayed for twenty years, others knew in it the supra-worldly courage to reveal that ruining the unity of style. Ale buli third - peeping: the Parisians for years squirmed in front of the "Last Day of Pompeii" and muttered to him so unanimously, like the Romans. Ridkіsny vipadok - zagalna thought overcame the judgment of "zapisnyh critics" (as newspapers and magazines called them): the press did not dare to let the "zapisniks" live, - Bryullov took the gold medal of first goodness. Russia triumphed.

"Professor Pozachergovo"

The Academy is pleased to note that Bryullov's painting has the greatest honors, to put it among the most unusual works of art in Europe today, asking for the permission of the greatness to call the famous artist in the professorship of the black posture. Two months later, the minister of the imperial court, having called the president of the academy, that the sovereign did not give in to those wills and punished the statute. At the same time, bazhayuchi reveal a new sign of merciful respect to the gifted artist, his majesty having crowned Bryullov as a cavalier of the Order of St. Annie 3rd grade.

Rosemary canvases

L. Osipova

Alexander Bryullov. Self-portrait. 1830.

- Carle, just show yourselves - in the eighteenth century everything was like this: the sun shone blindly, the blacks stung along the edges of the road and the donkeys, burdened with luggage, stumbled on the stone. We are on the main road that leads to Pompeii. The qi axis of the ruins - deputy house Bagach Diomedes, excavations are being carried out here, farther - Ciceron's villa. They gave a hotel, here they knew a lot of earthenware, marmur mortars, on the stone doshtsi there was a trace of spilled motherland, and in the cellars - wheat grains. As for their stovkti and performances, it would be possible to taste the classic bread, which is like our romantic era, I think, impressing the bi bagatioh with its relish. Ba, but you don’t give up, that everything has already gotten worse. Natovpi people hurry to the place. An axis to carry on burdens like an important pan. Vіn tunіku blind white, stabbed on the shoulders with a gold buckle, sandals to the knees, embellished with diamonds, and behind him a whole cortege of servants. Do you hear the black cries? The chariots appeared, and yet they collapsed so importantly, the narrow little streets were all filled with people. All zrozumіlo - must hurry up to the amphitheater. Today, the battles of gladiators and wild animals are recognized. Or maybe the judges sued someone from the wines to quit their lives in the arena in essence with the lions, who were brought from Africa? Oh, obviously, such a sight cannot fail anyone from Pompeians.

Karl Bryullov. Self-portrait. OK. 1833.

- Crack, your vein starts to bite! Togo and marvel at the condemned by myself. - Bryullov's brothers laugh and, sitting on a roadside stone, become numb in silence, which are only broken by lizards and the rustle of thorny grasses ...
Oleksandr is introduced and, knowing the handy place at the gatherings, opens the great album and begins to paint. Trochy a year before the new one arrives and Karl. Ale is painted in a different way. Oleksandr, as an architect, took over the proportions of parts, proportions, like the alarm clocks of Pompeii, from the Greeks. At the hour of the hour, come to Karl, asking for your respect for the simplicity and thinness of the lines, which go with the wealth and bring the fineness of the embellishment - the capitals at the column, then at the sight of the dolphins, then the groups of fauns, one of them, you can count on then weaves of fantastic fruits and leaves ... Vitality, too much revealing - is the manifestation of a new hour, pouring in Rome. And so it is with the Pompeians in everything: at the richest boudinkas, there are cloisters, there are banquet halls, behind the Greek zrazko, they are small - even the number of guests is to blame for the number of graces (three) or the muses (nine). Tim for an hour you can see that Pompeii was not famous for the fading in їzhі that satisfaction. Navpaki. On the banquets they served fillets of an African lion, smoked camel's feet, foxes, ripe grapes, aromatic rabbits, sauce with ostrich mushrooms, earthen spiders, not seeming about wine with ice, perfumed with aromatic herbs... reveal... So, Greece and Rome were shot in Pompeii in order to send Vesuvius toppling in the sickle 79 the fate of the day after the birth of Christ to lean on a rich capital to honor the ashes and stones.
Karl hears his brother aloud. Wines are thrown in the albums with sketches of an olive, shkoduyuchi, without chomping barv. Vіn is already under the rule of living beauty, vin enjoys.
What a hostile effect here is light, penetrating and soft! And the openness of marmur - the eye is filled with affection of the lower. The torso of Venus, the statue of an athlete, recently excavated, cleansed from the ground, are created by right, natural, lower living people, - the best people. The axis of wines is the whole world, which kind of wine has begun to touch children.
Batko - Pavlo Ivanovich Bryullov, Academician of Ornamental Sculpture, zmushuvav children painting with antiques, like a little stench began trimming in the hands of olives. At ten rokіv Charles was adopted at the vikhovantsi of the St. Petersburg Academy of Mystics, at fourteen he took silver medals for little ones, in yakoma, for scorching marks, having chewed the hour of Phidias and Poliklet. At dead world marmoru vin feeling his own, for all the reason he observed the laws, by which the whole world was created. Oh, how vin viriv at once in your strength! Throw up all the objects, dress in harmony, turn everything around, looking at the calm and indescribably beautiful beauty. Create magic, as if it had penetrated everywhere: at the hut of the bіdnyak, under the marmur colon, on the square, where the people were boiling, - like it was in this place, like it was in far-off bright Greece ...
... The sprat of fate has passed. Oleksandr went to Paris to perfect his knowledge and talent. Buv, the new one has one more name, some kind of wine, without a hitch, happily zdіysniv. Vіn saw a book about the excavations at Pompeii - on a luxurious paper, with soft armchairs and little ones. The merits of the book were greatly appreciated, since the author was elected a member of the Royal Institute of Architecture in London, a member of the Milan Academy of Mystics after a short time. Oleksandr was not too drunk with glory, but rather happy - nareshti yomu є chim in vіdzvіtuvati The association of interested artists, for this reason, in 1822, sent them with their brother beyond the cordon after they had completed the St. Petersburg Academy of Sciences. Ale Carle... My God, how a little bit didn't get here about something new from Rome! Vіn has become famous as a miraculous portrait painter, and the skin of the Russian panorama who has come to Italy hastened to paint his portrait for him. Ale bida, that this person began to instill antipathy in Karl. You can take yoga (so it was with Count Orlov-Davidov) at the most unflattering suit and find the best pose and calmly declare that today's wine is not smart pratsyuvati. Scandal!

One of the sketches of the painting "The Remaining Day of Pompeii".

In the meantime, before Oleksandr there was a call, that in the rest of the hour Karl would work sketches to a great canvas, as if to name "The Remaining Day of Pompeii". It made Yogo feel so good, that he was right there on the leaf, in which he greedily sighed: why is your brother getting rich with historical jerseys? if you don’t care about guilt, that the death of Pompeii was foreseen in advance: the Pompeians were mired in luxury and roses, lightly careless with all the signs and prophesies, languished at the burial place of the first Christians; de vin allow the space of the picture; And more than the head - let it go, for God's sake, don't wake up in the great work, which, perhaps, was destined for you to appear in front of the world of your genius.
The leaf of the brother caught Karl in the evil whilin. Vіn has already crossed from sketches to the canvas. Bulo out of majestic roses - 29 square meters. Having practiced drunkenly, mayzhe without interruption, reaching the point of complete sickness, they often blamed yoga from the mains. And then the master showed up from the bastards to pay for the rachunks ...
Obviously, everyone is already doubting what the fault of the building is in the future. Suspіlstvo zakhochennya artistsіv already another rіk not crying yomu pensions. Only a few people get confused about yoga, it’s easy and without turbos. And if the brother is guilty of the nobility, if you practice wine by passion, then even if you put a shroud on the new clothes, you won’t stop practicing wine.

K. P. Bryullov "The Remaining Day of Pompeii", 1830-1833. Sovereign Russian Museum, St. Petersburg.

For the pen and the ink, Karl took on extreme swings. And here he wrote: write at once - to the brothers (brother Fedir, tezh mitets, lives at Petersburg), and until the Partnership is eager. "Decoration ... I took all of nature, without stepping into the air and not giving up, standing up to the mischief with my back, sobchit part of Vesuvius as the main reason - without what would it look like fire? On the right side I place a group of mothers with two daughters on the knees (the skeletons were found in such a position), behind the group one can see a tight group at the gatherings ... bowing their heads with stools, vases (they rattled all the speeches I took from the museum). sho tremaє nemovlya, prikryvayuchi with the other hand of the elder son, sho lie bіla nіg dad, in the middle of the picture of the woman, sho fell, relieved sensibly, nimbleness on the breasts її, not podtrimuvane more by the hand of the mother, choking on the її robe, calmly marveling at the stage death..."
Dozens of sketches and sketches, a sprig of fateful practice. No, not the fear of doom, not the nearness of death, writing. “Passion, almost vernacular, flames are manifested in such a beautiful image, in such a beautiful person, that you can get drunk to the point of suffocation,” said Gogol, shaking the picture. The death of the world of the sensitively beautiful, irrevocable. So, glory came to the artist. Triumph with the appearance of yoga on the streets, at the theater. At St. Petersburg, they put a wreath of laurels on their heads, they wrote in magazines, what do you do first, how can you understand and an artist, what can be the greatest rose of relish, and you don’t know what such a miracle is.
Well, Bryullov, being put up to glory, like a burdensome, like a burden, we’re not close-fitting. Vіn without a whirlpool laughing, if Oleksandr, with tears embracing yoga, repeating that he had made more wine for Pompeii, lower be a kind of archaeologist.