How do you get to the ballet? Special notice. Oksana Bondareva: “To the head - to sigh and to suffocate Ballet - for all chi

On the eve of the premiere, I contrived to fall ill and this year I was drawn to the theater with a temperature and to finish the same gloomy mood. Let's cheat, but we'll frown.
Nooo, chaklunstvo, come on and on the stage - there's always chaklunstvo. In two years, that one at once - I am an ogirok ogirkovich.
How glad I am that I spent today before the theatre. great dyakuyu nata_lotosh =)

I love these evenings. If everything is running - and the mood of the artists, and the mood of the public, and the quality of the dance, and, of course, if the dancers are in love on the stage.
Today, there was more courage on the stage, lower on the generals, and so ... everything lit up. It was so warm and radiant. And to bring the separation of Masha and the Prince at the finale - it was adopted ... not, not happy, but rather light confusion. I’ll start again, if, you know, the performance ends well. And you feel bad, that everything has passed, but in the middle it’s so acceptable, that it’s bulo, and you’ve been talking, and you wear such a garnet in your own. Approximately so.

Leonid is a miracle that is holy. Sun prominchik. Smiley Luskunchik, lower Prince. I think for a moment that nothing could be better for a friend. І after the skin vistavi with her I will change at the gate. Like breathlessly, like joyfully, like dancing easily... And at the end, if the dream ends and the prince is obliged to turn back to the baby, if the arms and legs of the yogo are reborn "wooden" - at the new style of the inexplicable zdivuvannya that rose. At the skin vagina of the body, at the fingers, at the neck, at the legs, hands - a creak. Yogo body is a strong emotion.

Oksana, unfortunately, dancing is not so easy and not so nasty. I crim that. Vaughn is so stubborn and dilova, that she blames food - why did the princes of the fairy-tale kingdom begin to dream about it. Well, that garazd. Lyonya has overly covered the mustache of the prorahunka by role. I started. I can always have some threads, that Oksana is not on me. Well, so іnshiy something nі =))

Droselmeyer at Vikonan Marat’s is a straight line. I love Marat =) Ale on Rishat, I want to marvel at my party. If you give up, Yogo D. will be less good-natured, ale Hoffman. I want to guess what, I know the same, I need to wonder. Today Rishatik buv again with marshmallows =))) Chantly, I don’t call marshmallows, but I’m welcome to think so myself =)

Mikola Koripaev is a chic Bear King. Nikoli did not think that Kolya would play the role of a negative hero. Well, well, well, well. Even pecking wine. I am comical, and vile, and so everything that calls. Super.

They splashed richly, wanting to yak on me - I would call out five more artists. Nacho tezh having gone to the bow and in the kіntsі navіt v_dmoshiv zhart. Vyskochiv z-for lashtunkiv, like Mishin's king. For those who don't want to play the show, it's about the same as in Michael Jackson's Thriller video =)))

Zagalom, I'm in a good mood perebuvayut. I want to sleep and tezh bachiti see all the beautiful princes.

A graduate of the choreographic school at the Dnipropetrovsk Theater of Opera and Ballet quickly went to the Mikhailovsky Theater in 2009, after which she won the "Golden Sofit" for the role of Juliet in the ballet "Romeo and Juliet" Nacho Duato and the nomination for the role "Golden Mask Half of Paris. At the same time, Oksana Bondareva can be beaten in Petersburg infrequently: she is on tour with the whole world.

When did you get to the Mikhailovsky theater?

After the Moscow international competition, in which I took part, Farukh Ruzimatov, who at that time had enchanted the ballet troupe of the theater, was shown my notes, and asked for wine. And the axis of my arrival went off with the same exit, but Mikhailo Grigorovich Messerer did trust the main parties, among them - Hasinta at Laurence. If they let out a new edition of "The Crescent of Paris", I danced at the premiere of the vistavi Jeanne - this was a great chance and a breakthrough for me.

Which games give you more?

Without a doubt, such a pure classic, like "Swan Lake" - my performances are not familiar. And, let's say, "Don Quixote" and "Half of Paris" - more indicative of my eccentric character. I am a person, I can’t sit on the floor, I already have a lot of energy in the middle. Not long ago I played my own part of Carmen. Previously, we rehearsed with Gabriela Trokhimivna Komleva for a show at the Ufa theater. She remembers how Maya Plisetska danced. I pointed out a lot of nuances. At the same time, I often preach to the viscounty Carmen herself, but I think that the lower image of Juliet and Aurori is absolutely mine.

With the advent of Nacho Duato to the Mikhailovsky Theater, your personal repertoire now has a modern choreography.

I didn’t see an absolutely new world: it was at once and it’s important, and it’s ticking, but it still hurt all over, more in yoga ballets there were groups of m’yaziv, they don’t practice so actively with the classics. If we put on a duet for the ballet Prelude, after the first rehearsal I simply could not get up from my bed, but we achieved the result. Before the speech, then Mikhailo Grigorovich Messerer introduced the rule: all classes of the world were robbed in pointe shoes, so as not to waste technique. It helped me not to get out of shape, because the Duato had to dance in soft shoes.

You three rocky danced at the Mariinsky Theatre. Was it hard for you to move into a new corpse?

Duje. Before the Mariinsky theater, I didn’t dream of spending time, and, obviously, if the opportunity arose to move from Mikhailovsky, I immediately came in handy. It wasn't easy for me: there was another scene, a subtext, there were more corpses. The period of adaptation turned out to be foldable and trivial: she often got rid of injuries - tore her calves on both legs - and fell ill. I think that it was through my internal tension that colossal viability was so strong. Prote I danced a lot of different parts: for example, Mary at the “Bakhchisarai Fountain” and the Sifida. One of my favorites is Masha at the "Luskunchik" by Mikhail Shemyakin. To be in the middle of this masterpiece is fantastic, for you are drinking a fairy tale. As if Shemyakin himself was less lucrative, and Yogo's praise became a fair gift of share. For three years, my teachers were Gabriela Trokhimivna Komleva, Gennady Naumovich Selyutsky, Tetyana Gennadievna Terekhova, Margarita Garaldivna Kullik. I am more than happy with everything, but when I turn to the native Mikhailovsky theater, I feel like home.

What are your dreams from today's dance?

It was even more important to call to a new form, but step by step I learned how to relax and dance, and not just beat the ruhi. A great success for me was the work with Ivan Vasilyev as the choreographer at the room "Amadeus". I would like to guess and stage the process with Oleg Gabishev, Makkim Petrov and Yuri Smekalov. But the project, which really taught me to think and collapse in a different way, is the performance of director Roman Gabria and choreographer Mikoli Arzyaev, where the dance is intertwined with my beloved dramatic theater. All of them are at the stage of rehearsals - the most expensive hour, the hour of the creation of something unfamiliar and untainted. I am overwhelmed by people, as if it were self-imposed to practice and live an idea, regardless of your mind.

Do you love the stage?

For me, to appear in performances is tse chaklunstvo. The smell of lashtunkiv, the atmosphere, the gazers - absolutely enchant everything. It's great if the hall gives energy: її you can pіdhopiti, and even then it's neimovіrne, and there are no drops in the coming day. Zvichayno, it’s rich to lay down and look like a partner. For example, with Ivan Vasilyev, with whom I know children, it’s easy to dance. The charisma and fire of Vani suffocate both the artists and the guests of the theatre.

You are already alive. Do you have bad emptiness?

Zvichayno, ale z zim can vporatisya. Golovna - vmіti nadikhatisya and zakohuvatisya at the specialties, painting, architecture, books. In parallel with the work, I immediately study at the Moscow Institute of Contemporary Art - our teachers give an impetus, and find an hour to read Umberto Eco, Arthur Schopenhauer, and renew Evgen Zamyatin, Ivan Turgenev and Sergiy Dovlatov.

What would you like to dance?

I would like to try the ballet "Spartacus". Firstly, I like the music of Aram Khachaturian, and in a different way, Yuri Grigorovich literally showed me the way to the great ballet. If I took part in the international competition near Sochi, I won the Grand Prix there, I won the jury. It seemed that it was shining like a new one ( є). Take the fate of "Spartacus" - be it a version - it would be a great honor.

Interview Olga Ugarova

A photo Ira Yakovleva

Legendary gymnasts, ballet dancers, circus performers, gymnast performers and acrobats will take to the stage of VTB Ljodovoy Palace to follow the tradition, ahead of the new fate. Ahead of the premiere of a unique sports show “For sports! The place of the future" we were able to have a good time with the ex-soloist of the Mariinsky Theater, a participant in the show, a ballerina Oksana Bondareva. Our repertoire includes leading roles in the ballets Corsair, Giselle, The Beautiful Dancer, Luskunchik, Swan Lake, Don Quixote, Sylphide, Laurence, Samodurov's Minorna Sonata, Nacho Duato's ballets and not only. In our interview, Oksana tells about the beginning of her creative path, the way of life of a ballet dancer, and she shares her feelings about working on a new show.

Creative way Oksani Bondareva

- Oksano, tell me about the cob of your quarry way: you started to take up ballet at some rock, and how did it go?
- Mom from 4 years old wanted to take me to a ballet school, but we lived in Kazakhstan, and the city did not have a ballet school. That's why I started to take up sports gymnastics, I got into the program of the candidate for master sports. And later, when we moved to Ukraine, my mother gave me to the choreographic school at the Dnipropetrovsk Theater of Opera and Ballet. Even the ballet did not call for me a special interest, for me it was monotonous busyness - to stand a year before the milestone ... so I dreaded myself going to busyness through force.

- When is the turning point?
- Everything changed, if, for example, the first rock, we entered the stage with a zvіtny concert. At one o'clock, I took over the stage atmosphere, looked at me warmly, and at the same time I realized that I wanted to take up ballet. At that time, I was already dancing on pointe shoes - one of our class. It was much easier for me, because I have a better m'yazovy corset, even though I was professionally engaged in gymnastics.

- Oksano, tell me, how did you waste the Mariinsky theater to the corpse?
- I worked for a while at the St. Petersburg Mikhailovsky Theater, after I completed my internship at the Moscow State Academy of Choreography. There I made my acquaintance with Mikhail Grigorovich Messerer, and also worked with the Spanish choreographer Nacho Duato.

At the Mikhailovsky theater, both the public and the stage grieve. Here I am, like at home.

Trohi later, there was already a proposition to improve in the Mariinsky Theater. For 3 years of work, I gained knowledge, got to know the brilliant illuminators, danced on the historical stage, it was miraculous. Then I turned to the native Mikhailovsky theater, in what I do, the public and the stage are less warm here. Here I am, like at home.

Photo: From the special archive of Oksana Bondareva

The way of life of a ballet dancer: rehearsals and eating principles

- The way of life of ballet artists seems to be different from the way of life great people?
- A ballet dancer is left with a ballet dancer for 24 years in the doba - it's more important. We may not have many holidays, if only a permit, then a maximum of two days on the river. Call us practically 6 days a day, a day off is Monday. Ale buvaє, scho vin vantazheniya. If I practiced at the Mariinsky Theatre, maybe our weekend adventures could be skinned: someone should practice their technique, someone had a performance ahead of time and needed to be rehearsed. The working day should sound like this: we’ll go to class, we’ll take exercises, then we’ll rehearse.

– How many three days do you work?
- Fallow in addition, like in advance of the day, put up, skilki in the artist go on stage. One rehearsal sounds three years, but before it it is necessary to grow up - at once it takes close to two years. There are 2-3 rehearsals per day, so on the average working day three times 6 years, sometimes more, sometimes less.

A ballet dancer becomes a ballet dancer for 24 years in the doba.

- What are the rules for eating and eating specially for ballerinas?
- On the day of the vistavi, you can get more calories, so that we have a lot of strength and energy on the stage. There is no way to eat zhorstnyh obmezhenya: some are smilier to the fullest, some are not. In general, the diet of ballerinas may not be compared to the diet of a great person, as they eat properly. I would be happy with the rest of the time about 6 pm, but I have such an organism that I won’t fall asleep on a hungry boat. Also, for the evening, I can make stumps with lettuce leaves, a boiled egg. Snіdanok zvichayny - sir or yogurt.

Ballet - for everyone?

- Oksano, tell me, how many years did you get a child to go to ballet school?
- First of all, ask yourself about food, it’s necessary for us to marvel at the comfort of that child’s bajan. To that, in a first way, it is impossible to go against the child's bazhannya - otherwise you will be flour for the new one, and for the fathers. In a different way, it is necessary to understand that in order to engage in ballet, a child must have natural inclinations. For example, I danced at the children’s place for the whole hour, messed around, and the fathers didn’t know how to channel my energy (laughs).

Porada:"I would have pleased the child in the ballet of 9 years, but until then (from 3-4 years) obov'azkovo mayut buti physical navantage: artistic gymnastics, figure katannya, sob m'azovy corset of shoplenies, and the body was prepared."

- Do you think it's too late to go to the ballet school at some other rock?
- I've only once shot talented artists, winners of international competitions, as if they started their career with ballet at 17-18 years. Obviously, it’s already richly folded, to that which I’m given, that in this world it’s important to embrace the classics itself.

- Is it possible for people “over 20” to do ballet?
- If you plan to do something for yourself, then why not. Rehabilitation of plastics, stretching - does not help to save the youth of the body. Ale, before professional ballet, after 20 years, it’s impossible to spend, but it’s already a unique drop.

Photo: From the special archive of Oksana Bondareva

About the new show

Yakim will be the show “For sport! The place of the future”, which premiere will be in the baby? What is your role in the project?
- For the least lack of project, but the possibility of taking part in one show with gymnasts of this magnitude is a gift of a share. Zagalom, this picture is the history of the future and what is there tezh є kohannya, even if people were like that. Choreographer Oleg Gabishev showed the three stages of the dance for this number: inception, development and fairy tale (or climax). Mi vidkrivatemo show program. In this production I have a victorious dance on pointe shoes, the wine is not standard, so Oleg tried to modernize the classics with modern extraordinary elements. I think it will be more like a tsikavo - a modern ballet on pointe shoes.

A new goddess of ballet - this is how the ballerina Oksana Bondareva was called by the critics of the United States of America after the premiere of the ballet Flames de Paris (“Half of Paris”). In the New York Times magazine, this girl was called a right revolution - virtuoso, romantic, magical. I encourage you to get to know me with the help of the Mariinsky Theater.

Biography of Oksana Bondareva

Batkivshchyna - the city of Dnipropetrovsk. Oksana came to the world in 1987. Chotiri rocky sang like a girl, mother brought her to gymnastics. Before ten years, Bondareva caught up with the program of the candidate of the master of sports. Why did my mother send Oksana to a choreographic school. The school was not easy - the Moscow theater of opera and ballet was in need of it. The ballerina herself later knew: її legs, those ties were not suitable for sports gymnastics, but they were perfect for ballet.

The first river at the ballet school seemed to Oksana Bondarev tedious and unsettling. Everything changed, if, for example, the first rock, it appeared on the stage at the class concert. The actors of the theater, and the students of the younger and older classes took part in this concert. The very same ballerina-pochatkіvets i smelled the smell of the stage.

Way to the big stage

2002 Oksana Bondareva graduated from the ballet school. At that moment, she danced practically the entire repertoire of the theater. On the right, in the one whose ballet corpse was not tight enough, and the young ones were brought onto the stage. If Oksana was 13 years old, she stood at the corps de ballet, at the 14th they gave the first solo part. 2002 the fate of the girl was accepted to the corpse of the Dnipropetrovsk theater.

2005 was marked by the fact that Bondareva became a graduate of the theater and art college. The same ballerina became a soloist of the Russian National Ballet named after Sergiy Mikolayovich Radchenko. In 2009, the girl was taken to the Mikhailovsky Theater, which she left in 2014 at once from the talented dancer Kristina Shapran.

Today, Oksana Bondareva's repertoire has solo parts in such ballets as The Beautiful Sleeper, Le Corsaire, Don Quixote, Giselle, Swan Lake and many others.

Kumiri

In her conversations with journalists, Oksana Bondareva often talks about those ballerinas that make you gasp. For example, the child loved to marvel at the record from Katerina Maksimova. Later, the girl got to know the works of Lopatkina and Vishneva, Rojo and Cojocaru, Dupont and Osipova.

Oftentimes, it’s not the performance of ballerinas, but films, music, and pictures that become the core of inspiration.

Preparing for the premiere

Rozpovidaє Bondareva about those, how to go through training to the role, how much time it takes. So, guess the ballerina, once after the school I could need close to three months in order to get ready for the vista.

One month is enough for one hour: in an hour the ballerina comprehends the choreography, reads the skin to perfection, reads the literature, looks through the archives of the old records of the old ballerinas. It is also important to improve with the musical accompaniment - to take over the melody, learn to follow it wildly.

Insurance

In 2015 Oksana insured her legs for the sum of 250 thousand euros. Contract with an insurance company from the United States, think that they were the most acceptable. Prior to that, the insurance company included all countries, in which it was planned to take part.

"A new goddess of ballet" - this is how the dancer Oksana Bondareva was called by New York critics at the hour of the show in the USA. This year, the prima ballerina of the Mikhailovsky and Mariinsky theaters has started to perform at Minsk.

Vaughn plays the best part of Odette-Odile in "Swan Lake", in a kind of dancer she alternately turns into the White Swan, then into the Black Swan, then becomes lower and tendit, then powerful and assertive.



Together with her, the premier of the Mariinsky theater Igor Kolb will perform at the party of Siegfried. Vin is a native of Pinsk, a graduate of the Minsk Choreographic School.

"Do not pass a day, so that I don’t think about quiet places, when I was born, and before people, like I’m dying to my people, and I’m swayed," I confessed my guilt in one of the interviews.

Fathers of Igor (already, unfortunately, deceased) are by no means aristocrats. Batko used to be a distant traveler, mother - the director of the distant. And the vin himself is a vtіleny kazkovy prince. Tse became clear from the very first step in "The Sleeping Beauty" in the party of Prince Desir. Moreover, wine is not just a "techie", but a master of spirituality, that subtle artist. "Today, it's easy to shake with triple-quarter casings, - it seems to me, - the main thing that can be played by a right artist as a circus performer or a gymnast is an actor's maisternist.

After the youthful victory at the competition "Vaganova-Prix" at St. Petersburg and I will enter the corpse of the Mariinsky Theater, Igor Kolb was encouraged by a rich scene of the world. Ale is especially expensive for a new performance near Minsk. Torik at once from the famous St. Petersburg prima Julia Makhalina wine taking part in the Svyatkovo concert starring the light ballet. The first axis is now "Swan Lake", like V'yacheslav Chornukho-Volich, the leader of the long-term diriguvatime.
Vistava to be held within the framework of the festival "Ballet Dance at the Great".